New Glaze Tests

Glazing is the one pottery task that I have struggled to embrace.  I am always worried that I have messed up a beautiful piece and there is not much you can do about it.  In addition, waiting 24 hours to see if you did screw up is excruciatingly painful for a person not blessed with patience.  I have found that documenting my tests is making the process more bearable, even fun.  The tests below are done on a medium dark stoneware clay.  Some of the colors we use regularly and others are new.  As always, if you have questions or want recipes, just ask!

This is one of our favorites.  It is Celestial Blue over Red Gold.  It is drippy and runny often drips on our shelves.  But, if we are careful it makes beautiful pots.

 Red painted over Red Gold.  This combination is pretty stable and doesn't run.  It does vary in the redness.

 I was pretty excited to try this combination and a little disappointed in the results.  This is Moss painted over Red Gold.  It started as a stripe of paint, and as you can see, ended up a blob of color because it ran so bad.

 This tile is Celestial Blue.  We use this as an accent color a lot.  It is nice alone or on top of other colors.

 This is Tom Grey Red.  We love it alone or with other colors layered on top.

 Scapes.  This is a glaze combo that starts with Tom Grey Red as a base and has orange, red and blue layered on top.  It is slightly unpredictable as it can turn out with very vibrant colors or muted with lots of gold like the tile on the left.

 This is the most interesting test I did.  I think we may have mixed the glaze wrong.  This is called Field Mouse Brown.  It looks very black except for where the glaze broke over the number.  We will be mixing and testing this again.

 Spearmint with some alterations.  I love this color but it didn't photograph very well.  It has some hints of blue green in it.  I think we will be mixing another batch and see if we can lighten it up just a little bit.





This is Everglade.  It looks a lot like the Gun Metal Green that we already use.





I am already working on the tiles for my next glaze.   I am hoping in the next month or so we will have some new colors to put in our Etsy shop.

First Glaze of 2012

Our first glaze went well. The kiln fired perfectly after being repaired and the studio is getting back to normal. I have decided that as we expand we need to document our glazes better. Arne and I are always trying new glazes and we don't always remember which recipes we have tried and if we like them because we usually sell the little pots we test on.

I can spend hours looking for new glaze colors and it is hard to find pictures of glaze tests done

on the dark stoneware we use. I hope the tests I post will help other potters in search of glaze recipes with pictures. We use a combination of our own mixed and purchased glazes and fire to a true cone six. If you have questions about the glazes or recipes, just ask. We are happy to share.

This is Muted Gold. It is a stable glaze and doesn't run much. It is rich and we don't use it as

much as we should so I will be doing tests with this layered with other glazes.

Ron Roy's Sapphire Blue. Beautiful glaze

that is runny if applied too thick. I have

been experimenting with this glaze

as I have had requests for pieces

in this color. I have struggled

with it, but for some reason

it behaved perfectly in this firing and

I think I have figured out the trick

to using it!

Eggshell. This has a blue tint to it

and looks thin on our dark clay. It is not one of my favorites and now I remember why!

Antique Iron. I love this glaze because it breaks to a rusty brown and there are hints of green and blue. It is nice layered with other glazes (sometimes runny) and this picture does not do it justice.

Autumn Frost. You can't tell in this picture but this is a little iridescent. I wanted a base tile for this as I am going to experiment layering this with other colors.

Tile was dipped in Autumn Frost, dried and then dipped in Due's White. I wasn't impressed with the results.

This one is interesting and I am going to experiment with it more. It was dipped in Tom Grey's Red, dried and then dipped in Antique Iron. It isn't the honey color I was hoping for but I like it.

I tried a variation of this on a cup in an attempt to get a rustic looking red. It turned out almost gold. I haven't decided if I like it or not. The tile was dipped in Licorice, dried and then dipped in Tom Grey's Red.

The base on this tile is Shino. We use it a lot. I dipped this one in Shino and put a strip of Moss Green across the middle. Again, I was not impressed with the result.

Moss Green. I love this glaze and I will be doing more tests with it.

Eggplant. It has some interesting blue, purple and green in it. I am going to try layering it over some other glazes.